Coskun Karademir Quartet

07 Dec 2018 - 07 Dec 2018

Coskun Karademir Quartet

Turkey

Coskun Karademir’s quartet, which hails from Anatolia, creates an east-west fusion of music. The sound of the duduk, the cello, the drums and the baglama combine to create a stunning example of musical spirituality, earning praise from music critics.Coskun Karademir is one of the most famous interpreters of the music of Anatolia, a region rich in Greek, Turkish-Ottoman and Armenian influences. This virtuoso player of the baglama (a folk lute that is very similar to the bouzouki) has devoted himself to traditional and mystical music. The Songlines magazine called his album “Kuslarin Çagrisi” (The Call of Birds), which he recorded with his band The Secret Ensemble and the Iranian singer Masha Vahdat, a “Top of the World album”. His second release, “Endless Path”, is a real gem of musical spirituality, which was praised by international critics. For his latest album, which he is presenting at BOZAR, he has chosen to perform with a quartet. The sound of the duduk (an Armenian wind instrument, which is listed as UNESCO intangible heritage, together with its music), the cello, the drums and the baglama blend together in a fascinating and timeless form of music, which transcends borders, religions and cultures.It's our treat! Listen to BOZAR’s "World" playlist on Spotify for free and discover BOZAR MUSIC season ’18-’19.
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Palais des Beaux-Arts - BOZAR

Palais des Beaux-Arts - BOZAR

23 Rue Ravenstein 1000

It’s impossible to talk about culture in Belgium without mentioning the Centre for Fine Arts located in Brussels. Whether it comes to exhibitions, concerts, theater performances, movies or projects concerning literature and architecture, BOZAR will always put originality and innovation first. They prove to keep a finger on the pulse with their varied and sophisticated programme. Besides emphasizing the importance of creation, quality and a rich artistic offering, BOZAR is especially concerned about the total experience of the visitors.

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