Rebota, rebota y en tu cara explota
31 Mar 2020 - 04 Apr 2020
They number in the thousands, murdered by their husbands, ex husbands, boyfriends, and fiancés. Killed by men. On average, two women are murdered every week in Spain. With this macabre statistic as a starting point, Agnes Mateus and Quim Tarrida incite a reaction from themselves and from us against this revolting societal and domestic violence. Rebota, Rebota y en tu cara explota (It Bounces, It Bounces, And Then It Blows Up In Your Face) takes to task not only the femicides but also breaks down the stereotypes implicit in the female roles in theatre and cinema. The objective is to fight against indifference and to ring the alarm.
Amid a Neopop set, Agnes Mateus, alone on stage in her spangled sequined pants, backed by deafening techno music, chants the insults that women suffer daily. Drawing from her own rage, she delivers a relentless performance that is an essential denunciation. A denunciation essential the world over.
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Théâtre National Wallonie-Bruxelles - 111 Boulevard Emile Jacqmain 1000
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Amid a Neopop set, Agnes Mateus, alone on stage in her spangled sequined pants, backed by deafening techno music, chants the insults that women suffer daily. Drawing from her own rage, she delivers a relentless performance that is an essential denunciation. A denunciation essential the world over.
Théâtre National Wallonie-Bruxelles
111 Boulevard Emile Jacqmain 1000
Le récent et très épuré bâtiment du Théâtre National dispose de trois salles, certainement parmi les plus belles de Belgique, aux qualités techniques irréprochables. C’est un théâtre qui veut aller à la rencontre des artistes et du public tout comme des autres arts et des cultures d’ici et d’ailleurs. C’est un lieu où les idées se partagent et s’entrechoquent à foison. Orchestrée par Fabrice Murgia, la programmation allie théâtre et danse, pointures internationales et créations belges francophones tout en créant des ponts avec son homologue (et presque voisin) flamand, le KVS.
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