Reinoud Van Mechelen & a nocte temporis

14 Feb 2019 - 14 Feb 2019

Reinoud Van Mechelen & a nocte temporis

Dubhlinn Gardens

Programme:The original Black Joke, sent to Dublin Red Joak // True Joke // White Joke // Blue Joke // Fancy's all (Leslie's March)The Poor Shepherd Jack Laten Eleanor a run // Ellen a roon // Ailen Aroon Siege of Limerick, Teague The Irish Trooper Will you go to FlandersGilliecrankie // Irish KilliecrankieMister Cragh's Irish Tune // The Hawks of BallyshannonMaggie Lawder Anna, a particular Irish song (Banks of Banna)Roisin Dubh // Donald OgHunt the squirrel // A reell for Jannie // Up with Ailey // Aird's // Chorus JigMy Nanny OIf there was one musical style that was all the rage in 18th-century London, it was the Italian. Handel composed a whole series of Italian operas over three decades, Corelli's orchestral works were published there, and Geminiani moved to the city. But the English were also fond of less exotic influences. The London audience had been captivated by Scottish traditionals since the early 17th century, in the reign of James I. This is demonstrated by the handsomely-published collection of Scottish songs, Orpheus Caledonius (1725). While the unruly Irish were less easily reconciled with Londoners, a good number of Irish ditties also turned up in the musical life of London. A Nocte Temporis, the ensemble built around star tenor Reinoud Van Mechelen, therefore had plenty to choose from when compiling this surprising Scots-Irish programme. CD Release : TrailerListen to the playlist "Early Music" on Spotify
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Palais des Académies

Palais des Académies

1 Rue Ducale 1000

The palace of the Academies was originally built for the Prince of Orange between 1823 and 1825. The Prince will reside there until Belgium’s independence in 1830. Architect Charles Vander Straeten was tasked with the design of the structure and took his inspiration from the theories of French architect Jean-Nicolas-Louis Durand, who extolled the use of a very simple Neoclassical style. Indeed, the strict symmetry, the understated relief of the façade, the harmonious order and elegant three-colored tones of the materials all contribute to make this building a perfect example of this purist style. After 12 years of sequestration, the palace came into the possession of the state who decided to offer it, in 1853, to the future king Léopold II. But the king never lived there. In 1862, the place is transformed into a museum of Modern Art. Consideration was then given to turning the building into a museum of modern art. It was, ultimately, the Royal Academy of Science and Arts and the Royal Academy of Medicine which took up residence in the building in 1876. The palace was decorated and fitted out following the design of Tilman-François Suys between 1825 and 1828.

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